Sunday, May 12, 2013

Same Time, Same Place

This is a re-post from a very long time ago, but I thought it was apt considering my back and forth with the advent of Mother's Day every year. Sometimes it's a non-issue, a non-day for me, just regular, and I don't tend to think about it. But some years, it is very challenging for me. I can feel that this is one of those years. For me, this is worth a look...it was a moment of clarity for me about the importance of having a mom in life. It continues to be a source of clarity for me regarding loss.


1/5/09 10:07 AM
"If There Were a Tree"


The hyena almost made me have an episode of panic just a minute ago. The hyena. What am I talking about? Long story, here it goes.

When I was about 19 I had this 'friend', he was older, and I thought wiser, and he had had some of the same experiences in life that I had had. And although I was convinced he hated me more than half of the time, he still gave me some of the most profound things to think about. These things always involved our lack of a mother. In the same club, he and I. So there was that at least, I think he saw himself in me, to an extent...before his own fall. I digress, but let me give you a portion of my thesis paper that encapsulates my gist:


"Societies are much the same in the animal kingdom as well. I remember when I was 20, my friend whom had also lost his mother at a young age, relayed a story to me about a wild animal. In essence it is this: If an animal's mother is killed in the wild, that animal is now all alone in the world. The rest of his clan and his society will turn against him. It is because he no longer fits, and he is not the same. He is now an outcast.

My friend was using this story as an analogy for the two of us, and our shared pain. I have never forgotten it. It was such a powerful, miserable, all-consuming concept, that I will never forget it. He described perfectly for me the loss I had been feeling for years. I found a oneness with his experience, and that helped me to understand my society, my world, and my own experience. It hurt like hell to hear, but I knew he told me so that I could conceive of what I was up against. He was warning me about my own society."


OKAY. So we have that thought swimming around my head since I was 19...and then came the hyena. And I'm not even particularly fond of hyenas (I blame The Lion King) however, I found myself some years later watching a nature special about them.

While I was watching of course, the worst thing happened, like Bambi in real life. The mom hyena died, broke her back.....the little one watched her slowly die and then stayed by the tree where she lay dead for quite awhile...unsure and desperate and helpless.

She wandered out, and was attacked. Even though that young hyena was a part of that clan, once her mother had died, she no longer held a place in their world. She was not only an outcast, but was ATTACKED because her mother was dead. I watched in tear-stained horror as it only got worse.

Confused, sad, and alone, the tiny hyena then wandered into enemy territory and again, got attacked. (things were really starting to sink in for me at this point) It was the saddest thing I have ever watched, truthfully. This little helpless baby, wandering and alone in the world. Truly alone.

Then I watched the wounded (emotionally and otherwise) baby have no other choice but to go back to her dead mother's side. It was reported by the announcer that the hyena eventually starved to death, unmoved from that tree, nuzzled up next to her dead mother's body.

(You have no idea the amount of tears I am shedding now. It's freaking unreal.)

But the point I'm getting at is that I have to paint something with my mom again, because it helps. Based on the panic I have been experiencing lately, I need it, because I still feel helpless sometimes, and attacked by the world. If there were a tree, I would surely want to curl up next to it some days, so that I could at least die with someone who had loved me.

But there isn't a tree.


I've been all up and down today, which I don't like one bit, so I decided to blog about it. I got sudden (and instantaneous) panic, crying and shortness of breath when that sad little hyena flashed into my head out of seemingly nowhere. All I got was that one, split second, thought/picture and it sent me into an instant tail spin. It hasn't happened like that in awhile, or that badly. That hyena gets me every time, and any time she wants.

So I basically wrote out this long thing to say...that I miss my mom today, and it came at me like an overpowering wave. So I think I'll paint something really emotionally difficult for me, in order to ease something for myself in the long run.

Applications, Infinity

I have been trying my darndest for the past (over a) year to secure a full time job in this world. As a result, I have been in WAY fewer exhibitions this year...I think because I applied to way less calls. I do feel like I've been slouching, but in reality, I just have application/portfolio-making burnout.

I have yet to get a full time job, or many interviews, quite frankly. So I don't yet know if it was worth the sacrifices that were being made. I am also feeling a lull in my 'making'. Usually the death knell for artists...I find that I need to be really solid on my thoughts and inside stuff to get something decent out on paper. Otherwise I'm just keeping time, mindlessly painting. More painting doesn't give me more ideas...more thinking and more mental stress/emotion do.

I don't know what that says about me as an artist, but I'm hoping for a breakthrough. I am feeling the tension of not creating so I'm sure it'll break soon. In the meantime, I'll go to my part-time jobs and start applying for shows for next year again...applications, infinity.

Sunday, April 21, 2013

Chosen

Last night I attended Lotta Art for School 33 Art Center at Silo Point in Baltimore. My work has been accepted for the past two years into this lottery-style benefit. Last year my piece was chosen at the last minute. I was excited that I didn't have to go pick it up again, quite frankly. I was delighted it was chosen, but I was in the midst of my final thesis right around the pick up time.




This year I was speaking to a friend and missed the big moment where my piece was chosen (not a stretch, given how many mispronunciations of my name are actually possible), but when I looked up I did, indeed have a red dot. I stuck around and pounced on the patrons when they requested a gallery assistant to remove the piece from the wall. I got 'em right before they left. The above piece, Keepsake, is no longer mine.



Saturday, April 13, 2013

Lotta Art on April 20th!

For the second year in a row, I've been juried into Lotta Art which benefits School 33 Art Center. 
It's coming up at 5:30 pm on April 20th at Silo Point in Baltimore. 

To see all of the incredible artwork available ahead of time, check out this link:





To purchase tickets to this lottery-style benefit exhibition please visit: http://bit.ly/YXepf5


Wednesday, April 3, 2013

'Stories In Form' from BAIC

Just wanted to pass along this press release for Catherine Akin's upcoming thesis exhibition in Baltimore:

FOR IMMEDIATE RELEASE

Stories In Form from the Baltimore American Indian Center
April 26 - September 21, 2013
Opening Reception: Friday April 26th, 6-8pm
Baltimore American Indian Center Heritage Museum

113 South Broadway
Baltimore, Maryland 21231
Museum Hours: Wed-Sat 11am - 5pm

Baltimore- “Stories In Form from the Baltimore American Indian Center”, Baltimore American Indian Center (BAIC) Heritage Museum’s latest exhibit, uses community-engaged artwork, both traditional and contemporary, to relate a compelling and collective narrative of Native American life. Contemporary Native artists include Loretta and Herman Oxendine (Lumbee), Waylon Gary White Deer (Choctaw), Arnold Richardson (Haliwa-Saponi), Zachary Greenbaum (Cherokee), an in-progress weaving by Ms. Frieda Minner (Lumbee), Ashley Minner (Lumbee), and youth from Native American After School Art Program (NAASAP).

Community artist, educator and founder of NAASAP, Ashley Minner (Lumbee) has published an exquisite corpse artist book, “The Exquisite Lumbee”. The publication is featured along with cyanotype photography, poetry and zines created by NAASAP youth participants who will be featured in this years Wide Angle Youth Media Festival at Creative Alliance in May.

The work of young filmmaker and artist, Zachary Greenbaum (Cherokee) will also be featured in the exhibition. Greenbaum has created a film about his father, a Native storyteller Joseph Stands With Many, as he travels to various events. The Tacit Tome is filled with experimental imagery and paradoxical interviews.

This exhibition includes related programming/projects such as our soon to be published community cookbook titled, “Eat ‘Em Up Native American Recipes”. Eriall Steiner (Haliwa-Saponi), a Holistic Health Coach contributed healthy food tips. With assistance from artist Julie Lin and her “Kitchen Stories Project”, the BAIC community created collages based on their most cherished memories of food and family. Limited copies of “Eat ‘Em Up Native American Recipes” will be available for purchase April 26, 2013 during the opening reception.

Since 1968, the Baltimore American Indian Center and its members have kept the Native American Indian culture and traditions alive in Baltimore and the surrounding areas through PowWows, community meetings and health programs. The Center’s Heritage Museum holds an impressive collection of North American Indian artifacts that includes basketry, pottery and textiles that inform visitors of art and craft in Native culture. From soapstone carvings and weaved baskets to documentary film and zines, “Stories In Form from the Baltimore American Indian Center” nods to the past and embraces emerging storytelling forms. For more information on the exhibition and related programs please visit storiesinform.net.

This exhibition is Catherine Akins’ thesis for her MFA in Curatorial Practice at Maryland Institute College of Art, with generous support by the Office of Community Engagement at Maryland Institute College of Art. Akins was born and raised in Arizona and received her BFA in Intermedia Arts at Arizona State University in 2010. Currently, she is part of the planning committee for The John Fonda Gallery at Theatre Project. She continues to investigate her own cultural identity - Mexican, Yaqui, Pennsylvania Dutch - through her artistic and curatorial practice. Contact Catherine at curator@baicmuseum.org.

Saturday, March 16, 2013

Happenstance

Have you ever looked at the back of your painting and found that it's better than the front? Sometimes, I muddy up the front too much (usually as a result of my anticipation and inability to wait for everything to dry), then I'll flip it over to the back...more often than not, the back is the side I go with.

So I've been thinking for quite awhile about the accidents that happen in my studio. Hell, most of my mixed media and collage work comes from the floor, I often attribute the phenomenon to helper elves, because how else would 'exactly what I need' be right there for the picking, exactly when I need it?

It is maybe a bit of chance or a happy accident. My work is FULL of them. I think I was first confident enough to display them as the 'real' work in my 2009, 365.series. Below are two different approaches to/examples of the same premise, which is essentially: arty accidents are often cool art.



365. fifty-nine




365. ninety-seven

On that note, I also am having some issues with my dying old computer, particularly when I'm running a video. Whether it's the video player or the computer processor or a combo (I'm not solidly sure), it makes for some interesting art! Some of my newest work, Glitch, is technologically accidental. I just happened to be around to catch it..."happenstance" (or helper elves, we can't be sure of anything)... Computer art on my website.



Tuesday, March 5, 2013

Yarnz

I felt compelled to work with yarn. I don't honestly know what happened other than a few general impressions I had and continue to have. This is a work in progress for sure...I am still exploring.

My impressions of yarn are of comfort, they remind me of my paternal grandmother, Dorothy. I used to play with her yarn and unwind it and wrap it around her dining room furniture (what a nightmare). I am attracted to the feel of yarn, I am attracted to how it makes me feel and remember; it calls on my nostalgia.

I also like the lines that can be made with yarn,  the linear quality. I like the order of lines all in a row, and the chaos of them not being perfect because my human hands touched them. Many human hands have touched the handwoven yarns. Close to perfection, but not quite.

My college students are right now completing a narrative project, what I've titled as "String Theory"; to tell the story of your everything (yourself) with string, yarn or rope (may be low relief, high relief or in the round)....I realized later that I had been completing the project before they embarked upon the journey. It was an interesting moment. I teach, to a certain extent, to what I am interested in as an artist. I pick the image examples based on them being appealing to my eye and my aesthetic. The students get my experience and I get their experience regardless, if we realize it or not. It's a subconscious and reciprocal conversation.

So the story of my everything (at the moment) is...tactile...comforting...youthful...wise...fond... memorializing...patient...womanly...motherly....strong...safe...grandmotherly.  These pieces are about memory, and I am currently still experimenting with application and medium...but I do think there may be a deification of Grandma Dorothy on the horizon...I'm thinking soft, colorful, altarpieces to be ready for the Day of the Dead in November...I always miss it, well not this time!

Memento Mori...




The above piece, Keepsake, will be up for auction at this year's Lotta Art, for School 33 Art Center in Baltimore in April.






The first one I did is the small, intimate one above, Loss. I will have to keep this one for my own collection.



...And now I feel like I'm getting there...bright and 1970's/1980's. They have a shag rug feel to them without actually being shag rug.

Saturday, February 2, 2013

Where to Find My Art in February/March

I just wanted to let you know where my art will be this month and next:

1. Baltimore, Maryland

My art and I will be at Art Bazaar at the Pinebox Art Center, a new venue in Baltimore. Pinebox Art Center is located in Highlandtown at 101 N. Haven Street, Suite 102 and will be open Saturdays and Sundays 12 - 4 pm, February 8 - 28.

Stop by to see me and my affordable, one of a kind, abstract watercolor pieces. Pick something up for your sweetie, I'll be there as much as I can over the weekends!






2. Milwaukee, Wisconsin

A portion of my 3 Tributaries series will be at Making Connections: A Juried Exhibiton of MIAD Printmaking Alumni. This exhibition will be shown in conjunction with the Southern Graphics Council International Print Conference in Milwaukee this spring. The exhibition is at MIAD's Brooks Stevens Gallery, 273 East Erie St. in Milwaukee and runs February 26 - March 23.



Saturday, January 19, 2013

My New Art Job

Hey! I got a job teaching college art (and check out my last post: the power of positive thinking)! I'll be teaching Basic Three-Dimensional Art and Design at a local community college, huzzah! I am especially happy that it's not a survey of or history of art, but actual art, itself. I am finishing up my syllabus right now...but I have to say, from my planned projections....this is going to be AWESOME.

I hope my students enjoy this semester....I'm sure I'll remember this one for awhile.  Now I just need to get a full-time position somewhere and I'll be totally able to pay for my loans and like, you know...live.

Cheers!

Monday, December 31, 2012

Some New News

I recently learned that two pieces from my 3 Tributaries were accepted into Making Connections: An Exhibition of MIAD Printmaking Alumni. This will be up in a few months time and shown during the Southern Graphics Council International Print Conference in Milwaukee this spring. I wish I could afford the ticket to attend the conference, but alas, I cannot. My art will just have to soak it all up for me.



I am also holding a Watercolor Techniques class for an adult that I know....I'm not too sure what to call that...is it tutoring if it's only one person...is it really a "class"? Either way, I'm teaching art to an adult for a small fee and I feel as if it's actually going to help me out in the long run. I always need more adult teaching experience to put on my CV as I'm still trying for an elusive college adjunct position!

Next year I'll get it. Next year, we'll all get what we need.

 HAVE A HAPPY NEW YEAR EVERYONE!

Thursday, December 13, 2012

My Stolen Art - Taken from Honey Carry-out in Baltimore

Within the last month, I found out that one of the pieces I competed for MICA's Invited: The Anniversary List was stolen. It was taken from the corner of Barclay and East Federal Streets in Bmore. Whomever took this had to use a ladder and cut about 15 zip ties off. Although I am flattered that someone went to SO much trouble, they still STOLE something from a neighborhood that enjoyed and celebrated the work and time I put in with them. It was a GIFT to them and someone decided they needed it in their living room more. LAME.





So Baltimore, if you happen to see this art at any house parties you go to this holiday season....it doesn't belong to them. Do the right thing, please take it down and return it to Mr. Park at Honey Carry-out in Station North.

This took much time and love out of me. And I want Mr Park to have his art back.



Sunday, November 11, 2012

2.5 Things

2 real quick things:

I have put up my Baker Artist Awards profile here, so wish me luck!: http://www.bakerartistawards.org/nominations/view/shanagoetsch/

The opening of Strokes of Genius is TODAY at 3:00 pm in Annapolis at the Maryland Federation of Art. I'll have some images from that and my recent solo show linked for y'all soon!

p.s. The silent auction piece at the Adirondack Lakes Center for the Arts has sold for $90! A very good price for its size...ALL of the proceeds will go to Community Action of Hamilton County, NY. Thanks to everyone who bid and congratulations to our final bidder...I really appreciate it.

Saturday, October 20, 2012

BUST - ed!

My 3 Tributaries exhibition was mentioned in this month's issue of BUST magazine! For those of you not in the know, "BUST is a groundbreaking, independently run women's lifestyle magazine that connects with bright, cutting-edge young women. Fierce, funny, and proud to be female, its revolutionary editorial mix addresses a variety of women's interests, including pop culture, crafting, music, fashion, sex, news and celebrity interviews."

Thanks to Libby Zay for the mention of the show AND, more importantly, National Domestic Violence Awareness Month, October! The mention is in the "Hot Dates" section on page 19, for any of you with a subscription, otherwise, here's a screen capture...




AWESOME!


And as a reminder, I will be hosting a FREE collograph printmaking workshop for anyone and everyone in the area of Blue Mountain Lake, on November 3rd, from 3 - 5:30 pm, with the exhibition's closing reception right after from 5:30 - 7pm. Hope to see ya, NY! http://adirondackarts.org/


Sunday, October 14, 2012

Strokes of Genius


A while ago, I submitted a few pieces for inclusion in the national juried (Mark Karnes) exhibition of painting, Strokes of Genius at the Maryland Federation of Art in Annapolis. First of all, what a cool title, and secondly, I'm really happy to have been accepted into the exhibition with my watercolor on paper piece, Mark II...




Strokes of Genius runs November 2 - 24, 2012, see you there!

Friday, October 5, 2012

3 Tributaries Opens TODAY!

I am very excited about my solo show, which opens today! I will be up in Blue Mountain Lake for the reception in November! With the help of Laura Smith (their previous gallery director), we set up some really great events that the community can participate in. More information about the exhibition and additional programming is below: 


3 Tributaries
On view October 5 - November 3, 2012 at the Adirondack Lakes Center for the Arts, Blue Mountain Lake, NY
Closing Reception: November 3, 2012 from 5:30 - 7pm

There will be a domestic violence advocate from Hamilton County available at the closing reception with information on domestic violence and prevention.
 
Additionally, I will hold a FREE printmaking workshop on November 3, 3-5:30 pm (ETA: date has changed!) in recognition of National Domestic Violence Awareness month. This process is the same one used for the series, 3 Tributaries. "One of the most important resources for people experiencing domestic violence is a safe space, emotionally, spiritually and physically. Explore your own thoughts and experiences with ‘safe spaces’ in the form of a collograph printmaking workshop. This hands-on workshop will detail creating a printmaking plate as well as a simple hand printing process that can be easily duplicated at home.”

(And currently, this piece, 'Home', is up for silent auction at the art center. All proceeds benefit Community Action of Hamilton County)



I hope you can find the time to join us! 

Friday, September 28, 2012

The Anniversary List

The opening for Invited: The Anniversary List is tonight! The details can be found here on an early post: http://artinshanaty.blogspot.com/2012/09/big-damn-shebang.html

But I wanted to give you some of the "making of" photos behind the two pieces I created. I always love process shots, so I thought maybe you might be interested too. The theme of the two pieces, for me was about "location" or "place". I worked with the location and the history of the business and the owner.



Helper Kitty is helping









For one side, I used the imagery of the Hibiscus flower, which is also the national flower of South Korea. South Korea is where Mr. Park, the owner, is originally from. I think it makes the idea of "pollination" that much more relevant.








For the second piece I decided to further the bee theme by recreating a honeycomb pattern. Underneath it all I placed Baltimore City and Maryland maps, which you can still see peeking through the paint. There is a tiny little star print on this one, which "places" the store location on the Baltimore City map. You can see it a bit better on the close-up shot of me above. But again, this was about location, as well as the material I needed to use, iron. This was in the form of prints taken from the manhole covers on the corner in front of the store...again, location/place.

All in all, I am really happy with how these turned out, and Mr. Park and the neighbors seems happy as well. And really, who could ask for anything more? What a great experience, I'm really looking forward to the reception tonight.

Cheers!


Sunday, September 23, 2012

Community Building Awareness



The opening of the House Show at Urbanite@Case[werks] gallery was just this past Friday. I had proposed a community art piece in recognition of National Domestic Violence Awareness Month (October). Basically I proposed that we all make some row houses, and that I would try my darnedest to get this piece of art to the policy-makers when all was said and done.

We used the same technique that I used for my collograph printmaking pieces and my series, 3 Tributaries, which was all about domestic violence and large statistics. This community art piece would be in much the same vein.

I had been told ahead of time that I would be in the gallery's actual closet (we needed to use glue and acrylic paints - not the norm for a really nice gallery, so I totally understood)...but I was worried going in. Not because I was put in a weird gallery space, but just that the space we'd be working in was recessed a bit, and I worried that it would be hard getting people into the storage room/closet while also enticing them to make something for me.

Well, I need not have worried! That storage closet was hoppin'! People were actually waiting in line to make the pieces! At about 7p I also had a friend stop by to help me, Denise Duarte, who is a very fine public artist hailing from Las Vegas, Nevada. Denise is currently in MICA's MFACA program in Baltimore and generously volunteered to help me and give me a break so that I could talk to people at the show.

I was able to make many people aware of the actual statistics of DV nationally...some patrons were literally dumbfounded. The piece started out blank, with just one statistic, and then as participants finished their row house, I painted the house (if they wanted) and placed it on a panel underneath the stat. for them. I was amazed and appreciative at some of the frank conversations I had with people about DV and about why I was doing this. The House Of Ruth Maryland generously provided me with some pamphlets and some small crisis situation cards which were taken by quite a few people, that I saw.




All of this was about awareness...and I also made the first row house myself, in honor of my mom. I painted it hot pink, especially for her. In a way, she's always leading the charge for me. Sometimes I wish this were not the case and that she was alive and that she and I could go to the mall and shop or something as equally banal...even just to talk to her. She'll never know what an impact she continues to make in my art and in all of the people who see and engage with it.

I also saw quite a bit of creativity in these houses...the adults were having a really great time designing their row houses and gluing the simplest of recycled materials. Bottom line is, grown-ups should really do themselves a favor and make more art. 

All in all, it was a successful event for me and for raising awareness of domestic violence in our communities. More photos below...





This row house above almost made my heart stop....he really ran with the concept and made it happen. By including the words, he furthered my own metaphor in the most interesting way. He created a new layer of meaning to the project that I had not considered.







And before I drop the 3 Tributaries series off for my upcoming solo show, I will be talking/guest artist-ing at Paula Phillip's Finding Baltimore, Foundations class at MICA. I think this participatory community art piece will serve to illustrate to them just how much one, solid idea has served me, even two years later. Gotta love my Baltimore and its iconic imagery.



Wednesday, September 19, 2012

Big. Damn. Shebang.

Oh my gosh, there is so much going on lately! And I know my last two posts have been show info...and here is more. This reception and the House Show's reception are on consecutive weekends.

I'll have to put up a more extensive post about my working process on these murals. I took a bunch of photos at each stage. But until then, here is one of the pieces I made, located on the corner of E. Federal and Barclay. Reception information is below...woohoo, y'all!





*Join Station North Arts & Entertainment, Inc. and Governor Martin O’Malley for a very special Final Friday event as we celebrate the 10 year anniversary of the Station North Arts & Entertainment District!

Friday, September 28th
5:00-9:00PM

Rooftop of the Charles Street Parking Garage (1714 N Charles Street)
FREE


FEATURING
*Governor Martin O'Malley
*John Waters
*Music by Lafayette Gilchrist and the New Volcanoes, Four Hours of Funk's DJ Exclaim, and Dig's Landis Expandis
*Stiltwalkers from Nana Projects
*Circus of Wonders featuring Magician David London and artistic face paint by Jeramie Bellmay and Patricia Tamariz
*Joe Squared pizza
*Flying Dog beer
*Wine
*Photobooth
*Tours of MICA's "Invited: The Anniversary List" exhibition with the Pushpops and Graham Coreil-Allen
*Tours of Station North with Baltimore Heritage
+ MORE!

This month, Final Friday will be a wind-powered event thanks to Clean Currents. To learn more about Clean Currents and renewable energy visit www.cleancurrents.com

Station North Arts & Entertainment, Inc. is generously funded by the Goldseker Foundation, Lockhart Vaughan Foundation, William G. Baker Jr. Memorial Fund, Robert W. Deutsch Foundation, National Endowment for the Arts, PNC Foundation, Blaustein Philanthropic Group, T Rowe Price Foundation, and the Aaron and Lillie Straus Foundation.




more info: http://www.mica.edu/Events_and_Exhibitions/Invited/Invited_Anniversary_List.html


Tuesday, September 18, 2012

Hey NY State!

I have a FREE workshop coming up on November 3rd (ETA: date has changed!) at the Adirondack Lakes Center for the Arts. This workshop is offered by me in honor of National Domestic Violence Awareness month (October) and it is an accompaniment to my upcoming exhibition at the art center, 3 Tributaries. So if you are around the way of Blue Mountain Lake and want to stop by, here is the listing on their website:

http://www.adirondackarts.org/l_work.html

and here it is in long-hand:

Printmaking workshop with Shana Goetsch
Saturday,  November 3, 3-5:30 pm 

Free
October is Domestic Violence Awareness Month
“One of the most important resources for people experiencing domestic violence is a safe space, emotionally, spiritually and physically.” Explore and create your own ‘safe spaces’ using collograph printmaking with featured artist Shana Goetsch.

Tuesday, September 4, 2012

House Show

I'm in this upcoming exhibition! Here is the press release:

HOUSE SHOW
Urbanite @ Case[werks]
September 21–October 24, 2012
Opening reception: September 21, 6 p.m.–8 p.m.





















HOUSE SHOW studies and celebrates the idea of the rowhouse as storyteller. Co-curated by Marianne Amoss, Marian April Glebes, Sarah McCann, and Jessica Young of D center Baltimore, the exhibit examines how these familiar structures serve as narratives, recording and telling our personal stories and the stories of streets, neighborhoods, and entire cities. What are the stories contained within rowhouse walls? How do rowhouses reveal how we live now, and how we used to live?

In keeping with the interdisciplinary mission of both Case[werks] and D Center Baltimore, HOUSE SHOW features work in a variety of mediums and by a range of artists, representing architecture, photography, sculpture, oral history, and more.

The exhibit is at Urbanite @ Case[werks] from September 21 through October 24, 2012. The opening reception will be held on September 21, 6 p.m. to 8 p.m. Complementary programming will take place during the exhibit, both in the gallery and at off-site venues. Additional information about these events is forthcoming.

Urbanite @ Case[werks] is located at 1501 St. Paul Street, Suite 116, Baltimore, MD 21202. The gallery is open 9 a.m. to 5 p.m. Monday through Friday. For more information, call 410-332-4160.

ABOUT D CENTER BALTIMORE
D center Baltimore is a broad cross-section of disciplines and individuals invested in improving and encouraging design—in all its iterations—in the Baltimore region. D center's members believe design thinking has the capacity to change the world and that banding together in creative collaboration will greatly improve the quality of urban life. For more information about D center, please visit www.dcenterbaltimore.com.

ABOUT URBANITE @ CASE[WERKS] in collaboration with D center Baltimore Urbanite@Case[werks] serves as a showcase of Station North and other Baltimore artists for audiences traveling into Baltimore’s Penn Station, thereby expanding the audience for local artists and the local and regional recognition of Station North. By highlighting interdisciplinary work, the exhibitions in Urbanite@Case[werks] draw participants and audience from diverse fields including architecture, fine arts, photography, design, and more. Urbanite @ Case[werks] is a collaboration between Urbanite magazine and Case[werks] and is generously supported by the National Endowment for the Arts and the Robert W. Deutsch Foundation. For more information about Case[werks], please visit www.casewerks.com.

Sunday, August 19, 2012

Incoming...

I just wanted to update you on THREE of the exciting things I will be a part of in the next few months:

On view September 28 - November 11, 2012 
Opening Reception: September 28, 5-10 pm
"MICA's inaugural M.F.A. in Curatorial Practice class invites you to join them in celebrating the 10th anniversary of Station North Arts & Entertainment District by presenting Invited, a two-part exhibition. The exhibition series will feature site-specific artworks in 10 area businesses as well as a party-themed gallery show in MICA's newly renovated Graduate Studio Center Riggs Gallery. The work by MICA's M.F.A. in Curatorial Practice program highlights the College's active role in community revitalization, ensuring that all businesses and residents in nearby Station North-one of the nation's first state-endorsed Arts & Entertainment Districts-embrace and are engaged with the unique artistic nature of the district. Invited is presented by the 10 inaugural candidates in MICA's M.F.A. in Curatorial Practice program, under the guidance of faculty members Jeffry Cudlin and Gerald Ross, who also serves as the College's director of exhibitions."

(I'm one of the 10 site-specific artworks.)


HOUSE SHOW (group exhibition)
On view September 21 - October 26, 2012 at Urbanite@Case[werks] gallery / for D Center Baltimore
1501 Saint Paul Street, Suite 116
Opening Reception: Friday, September 21, 6-8 pm
"HOUSE SHOW will examine how these structures serve as narratives, recording and telling our personal stories and the stories of streets, neighborhoods, and entire cities. What are the stories contained in rowhouse walls? What are the personal, political, and social implications of how these buildings were and are created, used, and left vacant or torn down? How do rowhouses reveal how we live, and how we used to live?"

(I'm presenting/facilitating a participatory art piece, a narrative about Domestic Violence that will grow with the exhibition, and within the gallery space.)


3 Tributaries (solo show)
On view October 5 - November 3, 2012 at the Adirondack Lakes Center for the Arts, Blue Mountain Lake, NY
Closing Reception: November 3, 2012
Additionally, I will hold a free printmaking workshop on November 3, 3-5:30 pm in recognition of National Domestic Violence Awareness month. This process is the same one used for the series, 3 Tributaries. "One of the most important resources for people experiencing domestic violence is a safe space, emotionally, spiritually and physically. Explore your own thoughts and experiences with ‘safe spaces’ in the form of a collograph printmaking workshop. This hands-on workshop will detail creating a printmaking plate as well as a simple hand printing process that can be easily duplicated at home.”

(And currently, this piece, 'Home', is up for silent auction at the art center. All proceeds benefit the Blue Mountain Lake community.)





Tuesday, August 14, 2012

My Snarky Art Friend

Recently I learned of art critic Robert Hughes' passing. What a terrible loss for the art world! All of his series', The Shock of the New, American Visions, Visions in Space, are some of my all-time favorite videos on art, many of which have been posted on this blog. I am really sad that I will not get any more quality, critical reviews from Robert Hughes. What a spit fire! Here is the absolute best clip of him, in some of his best work, The Mona Lisa Curse...





Rest in Peace, Robert. Hopefully, for your sake, heaven doesn't allow the art of Damien Hirst.

Sunday, July 8, 2012

Ladders

Ladders. I make them now. Here are two more ladders paintings, both acrylic on canvas...








And here is the first one in this new series which I completed last week ...





I've wondered recently if, in fact, I base my work on geometric shapes that are appealing to me. I went from circles (365.series) to rectangles (the row houses) to circles within rectangles (the Beyond Rorschach pieces in my last thesis) and now I seem to be back to rectangles / squares again with these ladders. I wonder, are triangles next? That's something to think about.


Sunday, July 1, 2012

Something Old, Something New

I reworked an old painting, The State of Independence. I was not quite happy with it at the time I first conceived of it. It was one of those in-between floater pieces. One that doesn't fit in a series, one that I needed to make for whatever reason in order to get to somewhere else in my work. So this piece was one of those...just hanging out, not belonging. I am series motivated, I like to make things in groups so that I can explore multiple angles of an issue. If I have a true interest, it's not going away in one piece, I have to thoroughly exhaust myself with the the subject before I'm done.

An outside force did compel me to dig this piece out of its storage container...it's a long story, and it seems to be a moot point for me now because of my excitement of coming up with this. Seems this piece was almost finished and I just didn't know it. I don't want to say it was nagging me, because it didn't keep me up at night, but I didn't like the piece until now. Every time I saw it I disliked myself a tiny little bit for not getting it right and not know where to start to do so. The fact is (and I knew it at the time too), that my metaphor was not sound. And with the way I work, that's absolutely everything...like, if I don't have that working, I should forget about even putting the paint down.

Ah, but you see, this was for an 'assignment'. At the time, I resented having an art 'assignment' (other than a thesis) in grad school...oh who am I kidding, I still do resent it. Needless to say, this one was a fail for me, but I had not had parameters set on me since becoming a professional artist, or ever really. I guess the moral of the story is, I don't do well with art assignments because, who cares, get me to my next series!

So this piece was lying about and something compelled me to pick it up again and 'fix' it. Right now it's tentatively named Step. I like the idea of exploring the metaphors for ladders, so I'm going to go with that premise for exploring any new works, for now.


Here we are, new and improved...







Saturday, June 30, 2012

Artist Talk Video

I finally have the link for the Artist Talk video from my thesis work! This was originally filmed in April. Many of the bystanders you see are actually undergraduate students from my GTI class, Global Perspectives: Politics and History. In this half hour I talk about the Art That Circles The Earth exhibition as well as my own series, The Psychology of One. So if you've ever wanted to hear and see me talk, now's your chance. Please check out the link below and enjoy...

http://youtu.be/LFwVwW0g7UQ


Also, I failed to upload one of the new paintings I made in the last post. The piece got carried by the wind of the airconditioner and so I found it later. Whoops. Here is that watercolor...